Independent voices, new discoveries and stories worth returning to.
Discover six chilling tales selected from more than 100 entries to the British Horror Studio’s Spooky Tales competition, and meet the talented writers behind these wonderfully macabre stories.
A surge in public voting turned the British Horror Studio Awards into a fiercely competitive battleground, revealing how audience power is reshaping British independent horror.
According to filmmaker Lawrie Brewster, the launch of The B-Team marks one of the most significant shifts in British indie horror in recent years.
Lawrie Brewster talks about the need to take breaks from horror filmmaking to embrace fresh air, face paint and friendship and why rest matters more than ever.
Lawrie Brewster and Sarah Daly's The Reign of Queen Ginnarra is Hex Studios' most ambitious feature yet, and it's packed with Lovecraftian chills.
In the Grip of Terror, directed by Lawrie Brewster, is Amicus Productions' first film in over 40 years. Here are all of the details you need to know about it.
After 15 years in indie horror, Lawrie Brewster shares 5 brutally honest lessons every filmmaker should know... to save you time, stress, and a world of pain!"
Lawrie Brewster defends cult classic Deathstalker and calls for a revival of sword and sorcery, a fantasy genre long dismissed but never forgotten.
Full Moon's 'Bad CGI Gator' delivers on the bad CGI gator. Full Moon leans into shoddy digital effects with 'Bad CGI Gator.'
A24's chiller Talk to Me marks an impressive debut for the Philippou brothers, with a haunting portrayal of grief and addiction.
In 1973, Robin Hardy terrified audiences with his folk horror masterpiece, 'The Wicker Man.' Fifty years later and the terror remains.
The Fall of the House of Usher on Netflix proves that Edgar Allan Poe's macabre stories are timeless tragedies.
