Before The Love Witch, Anna Biller Put Herself Inside the Fantasy
Lawrie Brewster explores Anna Biller in Viva: her performance as Barbi, feminine glamour and the courage behind her first feature before The Love Witch.
Independent voices, new discoveries and stories worth returning to.
Lawrie Brewster explores Anna Biller in Viva: her performance as Barbi, feminine glamour and the courage behind her first feature before The Love Witch.
Lawrie Brewster interviews Joseph Renzetti about his Oscar, Child's Play, Hollywood disappointments and a lifetime of making music for film.
Lawrie Brewster explores Anna Biller, The Love Witch and The Face of Horror, asking why horror audiences sometimes mistake cinematic sincerity for camp.
Aaron Truss talks to Lawrie Brewster about Employee of the Dead, remembering Rob Knox, working with Jake West and finding sincerity in horror comedy.
Megan Tremethick passes 60,000 Instagram followers. Lawrie Brewster explores the British Horror Studio star’s vintage glamour and organic growth.
In the Grip of Terror brings Amicus back to UK cinemas this autumn. Find announced dates, cinema links and the new British Horror Studio Picture House plans.
Discover six chilling tales selected from more than 100 entries to the British Horror Studio’s Spooky Tales competition, and meet the talented writers behind these wonderfully macabre stories.
In a new interview with Lawrie Brewster, filmmaker and animator Joel Haver discusses creative freedom, film festivals, independent distribution and why YouTube deserves to be taken seriously as a home for cinema.
Is acting still a craft? Megan Tremethick discusses classical training, self-education, emotional truth and the changing world of indie horror.
Read the full interview transcript with Jeff Barker as he discusses screenwriting, horror, character, family collaboration, ADHD, and the human drama at the heart of genre cinema.
Screenwriter and script consultant Jeff Barker joins Lawrie Brewster for an in-depth interview on screenwriting, horror storytelling and Curry Barker’s journey with Obsession.
Why Wuthering Heights isn’t “toxic romance”: a critique of modern reductionism and a defence of Brontë’s elemental Gothic vision.
On Saturday 1st November, filmmakers Lawrie Brewster and Sarah Daly hosted a prestigious black-tie event at the ornate Pathhead Halls in Kirkcaldy, Scotland, to officially launch The B-Team, a new branch of the British Horror Studio led by rising star Megan Tremethick and Paul William Kelly. The town, now synonymous with independent horror film production in the UK, provided the perfect backdrop for this cinematic unveiling.
According to filmmaker Lawrie Brewster, the launch of The B-Team marks one of the most significant shifts in British indie horror in recent years.
When the Make-A-Wish Foundation reached out with a unique request, this old leathery film producer, yes, I, Lawrie Brewster, knew I had to say yes.
Lawrie Brewster talks about the need to take breaks from horror filmmaking to embrace fresh air, face paint and friendship and why rest matters more than ever.
Irish writer and filmmaker Sarah Daly brings poetry, grit, and Gothic charm to British indie horror through Hex Studios and Fife Creative Studios.
Amicus Productions returns with In the Grip of Terror, its first film in 40 years, premiering 24 May at Romford Film Festival. Directed by Lawrie Brewster.
Lawrie Brewster interviews Tony Mardon on The Witches of the Sands, exploring horror filmmaking, emotional tragedy, and an astonishing journey of resilience.
Lawrie Brewster and Sarah Daly's The Reign of Queen Ginnarra is Hex Studios' most ambitious feature yet, and it's packed with Lovecraftian chills.
Indie maverick Andy Edwards dishes on sexy slashers, twisted fairy tales, and the gritty magic of British Indiehorror in Lawrie Brewster’s bold interview.
In the Grip of Terror, directed by Lawrie Brewster, is Amicus Productions' first film in over 40 years. Here are all of the details you need to know about it.
After 15 years in indie horror, Lawrie Brewster shares 5 brutally honest lessons every filmmaker should know... to save you time, stress, and a world of pain!"
Veteran horror filmmaker Lawrie Brewster shares his thoughts on the decline of indie film markets and why he’s building a studio outside the system.
If you're looking to watch The Slave and the Sorcerer, Hex Studios' throwback to sleazy '80s sword-and-sorcery films, you can.
Lawrie Brewster unveils Queen Ginnarra, a dark fantasy epic of betrayal, occult power and cosmic dread, where myth bleeds into madness and horror wears a crown.
Editor Kieran Fisher joins Lawrie Brewster to lead Amicus Horror, a bold new platform celebrating British indie horror, classic chills, and genre news.
Lawrie Brewster is leading what may be the most ambitious independent film movement to emerge from the British horror scene in over 30 years. Following the announcement of the return of Amicus Productions, in collaboration with the Subotsky Estate, Brewster moved quickly to forge a powerful alliance with Hex Studios, resulting in the creation of The British Horror Studio.
Lawrie Brewster defends cult classic Deathstalker and calls for a revival of sword and sorcery, a fantasy genre long dismissed but never forgotten.
An introduction by Lawrie Brewster And, upon this wintry day, full of dew and dreadful dreariness, I bring to you the most shocking and absurd Christmas horror tale ever to be conceived by the minds of mad, mortal men. So much so that even the mad Arab Alhazre